Bandidas : Widescreen Edition

• Widescreen

Salma Hayek and Penelope Cruz have never been sexier as they team up for this hilarious, action-packed western! Determined to avenge the deaths of their fathers, Sara Sandoval (Hayek) and Maria Alvarez (Cruz) vow to seize the ill-gotten gains of robber baron Tyler Jackson (Dwight Yoakam). So, with help from a retired bank robber (Sam Shepard) and a jittery criminologist (Steve Zahn), these two beauties become unlikely outlaws, blazing a trail of larceny and laughter across Mexico!First screened in Europe and scheduled for limited release in the U.S., Bandidas can now be viewed by all fans of the visually stunning duo, Penelope Cruz and Salma Hayek. Set in Mexico 1888, Bandidas is a Western spoof about two women, Maria Alvarez (Penelope Cruz) and Sara Sandoval (Salma Hayek), who seek! to avenge the tragedies befallen both their fathers under robber baron, Tyler Jackson (Dwight Yoakam). Jackson, employed by the Bank of New York, is sent to Mexico to buy land and open banks to the detriment of local culture. Jackson kills Sara's corrupt father, Don Diego, while bandits burn down Maria's home. The two ladies band together for the community's cause. Under the tutelage of Bill Buck (Sam Sheperd), Sara and Maria develop bank robbery skills. When criminologist, Quentin Cooke (Steve Zahn), hunts them, they convert him with their strong moral sense and good looks. Like any Thelma and Louise-ish tale of women who take charge, Maria and Sara are foil characters who eventually become an invincible, sisterly team. This comedy is built around their bickering. For Sara, with European education and penchant of designer clothing, Maria is a hick who lacks refinement, yet Maria, horse whisperer, can fire a gun. The slapstick is overkill, for example when Sara wond! ers whether a bandana is Gucci or Prada. However, viewers will! love Pe nelope Cruz on horseback and the two actresses practice-kissing their foe in a brothel. Bandidas is a light film with some laughs and mucho sex appeal. -- Trinie Dalton

Beyond Bandidas

More Films from Salma Hayek

More Films from Penelope Cruz

More Comic Westerns

Stills from Bandidas

dvd

Angelina Ballerina Dance With Me Game

• Learning fun, encourages physical play through dance, beginner ballet technique, counting and memorization
• Product contents 1 game board, 25 dance cards, 50 reward cards, 1 audio CD with angelina ballerina music, 1 game mover with base, 1 spinner, 1 game rules manual
• For ages 3+ years and for 1 or more players
• The wonder forge features family games designed to bridge generation gaps and build family bonds
• Its preschool sub-brand, i can do that, games, is designed to celebrate the ?can do? in every kid, with games that engage children physically, socially and creatively

Charming Rafael meets cool Ruby and follows her to Las Vegas for the World Open Dance Championships. She dances with another and wins but still finds love with Rafael.
Genre: Musicals
Rating: PG
Release Date: 31-AUG-2004
Media Type: DVDIt's not exactly Fred! Astaire and Ginger Rogers, but this 1998 entry, starring Vanessa Williams and newcomer Chayanne offers its own terpsichorean pleasures. The story centers on Rafael Infante (Chayanne), a Cuban émigré to Texas, where he takes a menial job at a local dance studio run by John Burnett (Kris Kristofferson). There, he falls for Ruby Sinclair (Vanessa Williams), a one-time ballroom championship contender looking for the opportunity to compete for the title once more. The romance seems a foregone conclusion but has some snap thanks to a crisp performance by Williams and a sunny (if limited) one by Chayanne, a singing star in Puerto Rico. Best of all is the dancing itself. In terms of both energy, exuberance, and style, this film's dance sequences rank with the best of the decade's limited celebration of the kinetic art, such as Strictly Ballroom and Shall We Dance. Though the movie's central plot secret seems obvious from the first downbeat, the film takes off every! time the dance music kicks in. --Marshall Fine Golden ! Globe wi nner Richard Gere (Best Actor In A Musical Or Comedy, CHICAGO, 2002; UNFAITHFUL) and Jennifer Lopez (JERSEY GIRL, MAID IN MANHATTAN) step out in a delightfully sexy comedy with a sizzling all-star cast! John Clark (Gere) is a meek workaholic who feels trapped in a dull, mind-numbing existence. But one night, his whole life changes when the sight of a beautiful dance instructor (Lopez) inspires him to break out of his mold and sign up for ballroom dancing lessons! Now, he'll have to step lightly -- and do some fancy footwork -- if he expects to keep his exciting new passion a secret from his family and friends. Also starring Academy Award(R) winner Susan Sarandon (Best Actress, DEAD MAN WALKING, 1995) and Stanley Tucci (THE TERMINAL), SHALL WE DANCE? is another acclaimed crowd-pleaser from the studio that brought you CHICAGO!Something got lost in translation from 1996's critically acclaimed Japanese comedy, but the American remake of Shall We Dance? is not without char! ms of its own. In being transplanted from Tokyo to Chicago, the original version's subtle humor is shaken out of its cultural context, but this is an otherwise faithful adaptation in which a weary lawyer (Richard Gere) battles his mid-life crisis with ballroom dancing lessons, while his wife (Susan Sarandon) hires a private detective to see if he's cheating. Those expecting a Jennifer Lopez showcase will be disappointed; her role as the melancholy dance instructor keeps the beautifully lovelorn J-Lo on the sidelines, while a cast of standard-issue supporting characters (especially Stanley Tucci's clandestine faux-Latin dance lover) provide a generous dose of Hollywood-ized comic relief. All of this gives Shall We Dance? a polished sheen of mainstream entertainment that many viewers---and especially ballroom dancers--will find delightfully irresistible. --Jeff ShannonDANCE WITH ME - DVD MovieIt's not exactly Fred Astaire and Ginger Rogers, but this 1998 ! entry, starring Vanessa Williams and newcomer Chayanne offers ! its own terpsichorean pleasures. The story centers on Rafael Infante (Chayanne), a Cuban émigré to Texas, where he takes a menial job at a local dance studio run by John Burnett (Kris Kristofferson). There, he falls for Ruby Sinclair (Vanessa Williams), a one-time ballroom championship contender looking for the opportunity to compete for the title once more. The romance seems a foregone conclusion but has some snap thanks to a crisp performance by Williams and a sunny (if limited) one by Chayanne, a singing star in Puerto Rico. Best of all is the dancing itself. In terms of both energy, exuberance, and style, this film's dance sequences rank with the best of the decade's limited celebration of the kinetic art, such as Strictly Ballroom and Shall We Dance. Though the movie's central plot secret seems obvious from the first downbeat, the film takes off every time the dance music kicks in. --Marshall Fine

The stupendous on-your-feet ballet game!
Angelina ! Ballerina is the star of the show â€" and guess who she wants on stage, too? YOU! Practice the dance moves, step by step. Every time you play, it’s a new ballet routine! When showtime arrives, turn on the music and take center stage!

Learning Fun
- Encourages physical play through dance
- Beginner ballet technique
- Counting
- Memorization

Product Contents
- 1 Game Board
- 25 Dance Move Cards
- 42 Star Cards
- 1 Game Mover with Base
- 1 Spinner
- 1 Audio CD with Angelina Ballerina Music
- 1 Game Rules Manual

Number of Players: 2 or more

• Product Dimensions: 15.8" x 2.5" x 10.5"
• Recommended Ages: 3 years & Up

GE 26191 Duplex Wall Jack Adapter (White)

• Easily Adds A Telephone At A
• Jack To Accept 2 Modular
• Phones Or Phone & An Accessory
• (Answering Machine,
• Speaker Phone, Fax, Etc.)
• Speaker Phone, Fax, Etc.
• Answering Machine

DUPLEX - DVD MovieAnyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the hapless pair begin to consider m! ore serious (and final) measures. Duplex might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein, and Swoosie Kurtz. --Bret FetzerHollywood favorites Ben Stiller (Little Fockers) and Drew Barrymore (Going the Distance) lead a star-studded cast in this darkly hilarious comedy where one wrong move turns out to be a monumental mistake! Young and vibrant New Yorkers Alex (Stiller) and Nancy (Barrymore) have just found the perfect place to settle down and share a bright future. But their new home comes with a permanent fixture they didnt expectan obnoxious elderly tenant who wont move out and refuses to die! Pushed to the edge of insanity as their dream home turns into a nightmare, its only a matter of time before Alex and Nancy begin to entertain some truly sinister solutions to the prob! lem! Directed by Danny DeVito, Duplex is another! laugh-p acked crowd-pleaser you dont want to miss!Anyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the hapless pair begin to consider more serious (and final) measures. Duplex might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein, and Swoosie Kurtz. --B! ret FetzerEasily Adds A Telephone at a Jack To Accept 2 Modular Phones Or Phone & an accessory

I Can't Think Straight

• I CAN'T THINK STRAIGHT (DVD MOVIE)

Winner of the 2011 Sundance Film Festival Audience Award, CIRCUMSTANCE is a provocative coming-of-age story that cracks open the hidden, underground world of Iranian youth culture filled with sex, drugs and defiance. From newcomer Maryam Keshavarz, this suspenseful tale of love and defiance unfolds as a wealthy family struggles to contain their teenage daughter’s growing sexual rebellion and her brother’s dangerous obsession.In another place and time, the young women of Circumstance might have a bright future ahead of them, but in Tehran, they must pretend to be something they're not. Sixteen-year-old orphan Shireen (Sarah Kazemy) lives with her strict uncle, while Atafeh's loving parents have provided a comfortable home. Nonetheless, Atafeh's brother, Mehran (Reza Sixo Safai), has traded his classical music career for a crack habit. After a stint! in rehab, though, Mehran rejects Western art, embraces Islam, helps out at a mosque--and spies on his family. While he struggles to stay clean and secure a wife, Shireen and Atafeh (Nikohl Boosheri) sneak out to drink and dance to rock and hip-hop with a couple of like-minded male friends. It gradually emerges that the feelings between the girls go deeper than friendship, and the two even participate in a project to dub Gus Van Sant's Milk into Farsi in hopes that other Iranian youth will see the film and agitate for equal rights. After they get in trouble with the law, though, everything changes: Shireen's uncle pressures her to marry, and Atafeh finds her friend slipping away, so she comes up with a plan to solve all their problems at once. Filmed in Beirut, American-born writer-director Maryam Keshavarz's feature-film debut is pitched somewhere between My Son the Fanatic and No One Knows About Persian Cats. If less overtly political, she's equally s! ympathetic towards her protagonists and just as critical of th! e indivi duals and institutions that would stand in their way. --Kathleen C. FennessyJulia Jarmond (Kristin Scott Thomas), an American journalist married to a Frenchman, is commissioned to write an article about the notorious Vel d’Hiv round up, which took place in Paris, in 1942. She stumbles upon a family secret which will link her forever to the destiny of a young Jewish girl, Sarah. Julia learns that the apartment she and her husband Bertrand plan to move into was acquired by Bertrand’s family when its Jewish occupants were dispossessed and deported 60 years before. She resolves to find out what happened to the former occupants: Wladyslaw and Rywka Starzynski, parents of 10-year-old Sarah and four-year-old Michel. The more Julia discovers - especially about Sarah, the only member of the Starzynski family to survive - the more she uncovers about Bertrand’s family, about France and, finally, herself.

Sarah’s Key is based on the book by Tatiana d! e Rosnay.An intrepid journalist brings the past to life in this gripping drama. An American based in Paris, Julia Jarmond (Tell No One's Kristin Scott Thomas) has been working on a piece about a French atrocity while planning to move into an apartment that belongs to her husband Bertrand's family. During the course of her research, she finds that 10-year-old Sarah Starzynski (Mélusine Mayance, a sparky presence) lived in the same Marais flat until 1942 when French authorities wrenched Jewish citizens from their homes during the notorious Vél d'Hiver Roundup (Julia's daughter is only a year older). Unbeknownst to anyone but her parents, Sarah locked up her 4-year-old brother in a hidden closet in hopes of returning to set him free him later, but the trio ends up in a transit camp en route to Auschwitz. Sarah will eventually escape, but the years to come will not be easy. In adapting Tatiana de Rosnay's novel, director Gilles Paquet-Brenner, the son of a deportee, mo! ves back and forth between Sarah and Julia, who finds out she'! s pregna nt in the midst of trips to Florence and New York, but Bertrand doesn't share her joy. A French farmer (A Prophet's Niels Arestrup) and a food writer (Aidan Quinn) also figure into Sarah's story, which merges with Julia's as she finds a way to carry on her legacy. Much as in Julie and Julia, the past proves more compelling than the present, though Scott Thomas holds the narrative together with the force of her talent. --Kathleen C. FennessyWhile preparing for her wedding, Tala meets Leyla, a shy Muslim. Although they come from different worlds, the attraction is immediate and Tala must decide whether to stay true to her culture or to her heart. Starring Lisa Ray, Sheetal Sheth and Nina Wadia.

Festival Express

• Festival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and p

Festival Express is a rousing record of a little-known, but monumental, moment in rock n' roll history, starring such music legends as Janis Joplin, The Band, and the Grateful Dead. Set in 1970, Festival Express was a multi-band, multi-day extravaganza that captured the spirit and imagination of a generation and a nation. What made it unique was that it was portable; for five days, the bands and performers lived, slept, rehearsed and did countless unmentionable things aboard a customized train that ! traveled from Toronto, to Calgary, to Winnipeg, with each stop culminating in a mega-concert. The entire experience, both off-stage and on, was filmed but the extensive footage remained locked away -- until now. A momentous achievement in rock film archeology, Festival Express combines this long-lost material with contemporary interviews nearly 35 years after it was first filmed.

DVD Features:
DVD ROM Features
Theatrical Trailer

The vintage concert footage alone makes Festival Express a memorable and worthwhile endeavor, offering scintillating performances by Janis Joplin, the Band (their rollicking version of "Slippin' and Slidin'" is particularly mind-blowing), the Grateful Dead, Buddy Guy, and others (remember Mashmakhan?). In 1970, during the heyday of the rock festival, promoter Ken Walker decided to organize a traveling musical revue, bringing the mountain to Mohammed, as it were. In five days' time, the festival played in t! hree Canadian cities with the entire conglomeration traveling,! playing , and getting smashed together the whole way. Nearly as rewarding as the live performances are the candid scenes of the train ride itself, an endless jam session and party during which musicians of all shapes and sizes let their hair down--musically and otherwise. The contemporary interviews with Walker and some of the surviving musicians aren't particularly noteworthy, except as a way to prove that it all actually happened. Walker comes off as a hero in the film: he treated the musicians like royalty and insisted that the train roll on even though he was losing his shirt. (His financial failure is a large reason why this material stayed in the vaults for so long.) Perhaps the most remarkable scene is an off-the-cuff, LSD-fueled train jam featuring Joplin, the Band's Rick Danko, and the Dead's Jerry Garcia playing the old chestnut "Ain't No More Cane." Danko is so obliterated that even Janis has to ask him if he's OK--when Janis is worried about your state of mind, yo! u must be pretty messed up. --Marc Greilsamer

Adventureland

• From thedirector of SUPERBAD comes ADVENTURELAND, a smart, witty comedy we canall relate to. When James Brennan (Jesse Eisenberg) has to cancel hisdream summer vacation and make some money for grad school, the only jobhe can get is at Adventureland, a tacky amusement park where the gamesare rigged and the rides make you hurl. But it's where he meets Em(Kristen Stewart, TWILIGHT), and his rollercoa

ADVENTURELAND - DVD MovieA sweet and slap-happy mix of indie coming-of-age drama and Judd Apatow’s scatological but heartfelt manchild comedies, Greg Mottola’s Adventureland is a winning look at the pleasures and frustrations of dead-end jobs and teenage kicks as viewed through a filter of mid-‘80s pop culture. The underutilized and always watchable Jesse Eisenberg (The Squid and the Whale) is a sheltered, introspective New York college grad who discovers that his parents’ ! financial woes will not only quash his dream of a summer in Europe (to enjoy its more “sexually permissive” nations) but require a move to Pittsburgh, where he lands a job at a dilapidated amusement park. There, he’s thrown in with a motley crew of eccentrics, small-town types and a few genuine free spirits, most notably co-worker Em (Kristen Stewart), whose complicated past proves irresistible to his repressed psyche. Mottola, who directed Superbad and episodes of the well-loved Freaks and Geeks, and who once worked in a similar park as a teen, doesn’t shy from the crude laughs that make Apatow’s features so popular, but he tempers it with a wistful tone and layered characters that hew closer to his earliest work, The Daytrippers. Though ill-matched at first, Eisenberg and Stewart make a likable on-screen couple, and they’re well-supported by a terrific cast that includes such die-hard scene-stealers as Bill Hader and Kristen Wiig as ! the park’s offbeat owners, Martin Starr as a Russian lit afi! cionado, and Ryan Reynolds as a former town tamer, now reduced to working as the park’s handyman. A soundtrack performed by underground faves Yo La Tengo and filled with a smart mix of hip cuts (Hüsker Dü, the New York Dolls, the Replacements) and period faves (Falco’s “Rock Me Amadeus”) underscores the film’s blend of tentative emotions and broad laughs. -- Paul Gaita

Beyond Adventureland on DVD

Adventureland on Blu-ray

Download the Soundtrack

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Click and Print Your Own Adventureland Door Hanger

Stills from Adventureland (Click for larger image)

	< img height="200" src="http://g-ecx.images-amazon.com/images/G/01/dvd/Disney/Adventureland/Adv3.jpg" width="300" />

Full Metal Jacket

• The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163114 UPC: 085391163114 Manufacturer No: 116311

The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines a! nd abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murdero! us half-wit (Vincent D'Onofrio). Matthew Modine gives a smart ! and savv y performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

Reversible Drape Fur Vest - CHOCOLATE (M)

• SKU 182771
• Style 803AJ101L898

Keep warm and stylish in the new season's hottest trend. This bebe vest features faux fur reversible action and dramatic collar. Pairs well with any denim style and complements any pair of boots. Center back to hem: 17.5".

Alien Anthology [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Brace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature, makes this definitive Alien collection!Review of Alien
A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ! ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff Shannon

Review of Aliens
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she i! s talked into traveling (along with a squad of Marines) to a p! lanet un der assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine

Review of Alien 3
The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not on! ly has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Review of Alien Resurrection
Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died! in Alien 3; in doing so, however, they've mixed alien DNA wit! h Ripley 's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

Job One: Experiences of New Professionals in Student Affairs (American College Personnel Association Series)

• ISBN13: 9780761827849
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"I wonder how long it will be before someone misses me, and I try to remember if I have any appointments this week. I don't think so. Then I wonder if Teresa or my landlady would sense something wrong if I didn't answer the telephone. I doubt that, too. Then I begin to hope that perhaps Quick has really "put someone on me," and I remember telling Casey that Quick saw all. But I know that no one really does, except perhaps God, so I pray a little. I imagine myself as the condemned man with his life flashing, but I do not know what I have been condemned for - or by whom." While scenes of the war in Afghanistan and Iraq dominate today's news, this elegant novel provides an insight into an ear! lier attempt by America to install a democracy in a formerly totalitarian state that is undergoing a revolution. Sectarian violence, language problems, CIA and State Department goofs all contribute to the occasionally lovely but ultimately sad experiences of a well-meaning American professor who becomes intimately and tragically involved with a lovely woman and the deteriorating political scene. "John Clark Pratt wrote one of the truly great Vietnam War novels, The Laotian Fragments, and now he has written a comparably great novel that resonates strongly into our present unsettled times. American Affairs is worldly wise and richly moody and absolutely compelling reading. Pratt is a worthy descendant of Graham Greene." --ROBERT OLEN BUTLER, novelist and Pulitzer Prizewinner. "American Affairs is superb. It is a timeless tale of love and upheaval with tragic results. Having been an American Foreign Service Officer in Portugal, I can attest that! John Pratt's graceful novel of the last Cold War struggle ! captures a poignant vignette of this century." --CRESCENCIO ARCOS, former US Ambassador and Regional Vice-President of International Affairs to South America.In Job One, editors Peter Magolda and Jill Carnaghi place new professionals' stories "center stage." The book focuses on nine narratives written by new professionals about their introduction and transitions into Student Affairs work. These stories document the joys and angst felt as new professionals prepare to transition from graduate school-to-work, search for their first Student Affairs position, assimilate campus norms, formulate a professional identity, satisfy supervisors' expectations, mediate cultural conflicts, and remain true to their personal and professional values. This book is a useful resource inviting new professionals, supervisors, and faculty to think differently about the on-going education and needs of new professionals, while offering a new perspective for optimizing new professionals' ! experiences. Co-published with American College Personnel Association.